Mutant Chronicles IL FILM
AH ah ah ah...
XXX...
SE il film di Mutant incassa la META' sarà un ENORME successo:
Il seguito di XXX l'hanno fatto per questo motivo:
TOTAL LIFETIME GROSSES
Domestic: $142,109,382 51.2%
+ Foreign: $135,339,000 48.8%
--------------------------------------------------------------------------------
= Worldwide: $277,448,382
A questi si aggiunge un totale di incassi dal noleggio SUL SOLO TERRITORIO NORD-AMERICANO di 100 mil. di $.
Più vendite di vhs, dvd, cd della colonna sonora, vendita di diritti televisivi...
Totale di incassi del film: circa 540 mil. $
Costo del film: Production Budget: $70 million
Se il film di Mutant, costando 32 mil.$, ne incassa IN TUTTO 200, c'è da rallegrarsi.
XXX...
SE il film di Mutant incassa la META' sarà un ENORME successo:
Il seguito di XXX l'hanno fatto per questo motivo:
TOTAL LIFETIME GROSSES
Domestic: $142,109,382 51.2%
+ Foreign: $135,339,000 48.8%
--------------------------------------------------------------------------------
= Worldwide: $277,448,382
A questi si aggiunge un totale di incassi dal noleggio SUL SOLO TERRITORIO NORD-AMERICANO di 100 mil. di $.
Più vendite di vhs, dvd, cd della colonna sonora, vendita di diritti televisivi...
Totale di incassi del film: circa 540 mil. $
Costo del film: Production Budget: $70 million
Se il film di Mutant, costando 32 mil.$, ne incassa IN TUTTO 200, c'è da rallegrarsi.
-
SebastianCrenshaw
- Fanteria Pesante
- Messaggi: 339
- Iscritto il: 28/12/2004, 23:59
- Località: Veneto
Domanda per Sando:
ma il teaser del film da 7 minuti rispecchierà quello che sarà il film?
Te lo chiedo perchè nel film si vedono i vecchi stemmi corporativi (all'inizio sulle bandiere, poi lo stemma Capitol sulla tazza e se ci fate caso e bloccate l'immagine al momento giusto si vede il simbolo Imperiale sulla spalla del soldato "pelato" prima di morire per mano di un necromutante), mentre sul sito, com'è risaputo, gli stemmi corporativi sono stati cambiati. Come mai?
ma il teaser del film da 7 minuti rispecchierà quello che sarà il film?
Te lo chiedo perchè nel film si vedono i vecchi stemmi corporativi (all'inizio sulle bandiere, poi lo stemma Capitol sulla tazza e se ci fate caso e bloccate l'immagine al momento giusto si vede il simbolo Imperiale sulla spalla del soldato "pelato" prima di morire per mano di un necromutante), mentre sul sito, com'è risaputo, gli stemmi corporativi sono stati cambiati. Come mai?
http://www.bigfanboy.com/pages/livecast/bigfanboy1.html
Perhaps the biggest surprise came when Ron Perlman arrived at Tom's house during the livecast, and jumped on the phone for a few minutes with us. He did say there's plenty going on with HELLBOY 2, but that he's not privy to any of it. Perlman had great things to say about THE MUTANT CHRONICLES, in which he co-stars with Jane. It will be another year before we see it though.
http://www.cinemablend.com/new.php?id=4084
Thomas Jayne Talks Mutants
By Josh Tyler: 2006-12-11 00:00:00
Thomas Jayne Talks Mutants The guys over at FilmStalker have picked up an interview from UK IGN in which Thomas Jane talks about his new movie The Mutant Chronicles.
Early descriptions of the film didn’t sound very promising. The Mutant Chronicles is based on a lame sounding role playing game about a dystopic future in which the human race has dwindled and finds itself under attack by a bunch of creatures called "NecroMutants". At the time I believe pointed out that this is also the plot of most of the non-Pokemon anime imports currently running in place of real cartoons on Saturday mornings. But the way Thomas Jane talks about it, he makes it sound more unique.
The movie has already been shot and Jane says, “We shot that one over the summer in the Isle of Man and we had a lot of fun," he says. "It's a really interesting film, me and Ron Perlman, and I was very impressed by the quality of the production we did. It's going to be in post for another 15 months. It doesn't come out until the summer of 2008.” Alright that’s the when, but why should we see it? Steampunks.
Apparently it’s set in a future where Al Gore’s predictions have come true. “It's a steampunk kind of a world… What's happened is we've kind of gone full circle. This is several hundred years in the future, and we've exhausted our natural resources, so we're back to steam power. Of course, it's very sophisticated steam power, with ships and all sorts of guns and just about everything, but it's all steam power. But that gives it a sort of post-apocalyptic, Victorian, black smoke, coal kind of feel to everything, which is really unique and beautiful.” Ok, now that sounds really cool.
He continues, “There are no more countries, just four corporations and they're constantly at war. And being an employee of a corporation means that you're basically a soldier, and the whole world is torn apart. During this war, nothing is sacred anymore -- they don't care if it's a church or what, they'll bomb the f**k out of anything. And they end up bombing Stonehenge, revealing that underneath there is an ancient seal. That seal gets cracked, and that was protecting something that is unleashed, and then we have real big problems. The ancient Druids had originally sealed it up, so we call on this order of monks to try to re-seal this evil that has gotten back in the world. So it's a mission movie, it's got creatures -- mutants! It's fun.”
Mutants are fun Thomas, and maybe this will be too. Or maybe it will be Reign of Fire. As long as it isn’t Punisher.
Perhaps the biggest surprise came when Ron Perlman arrived at Tom's house during the livecast, and jumped on the phone for a few minutes with us. He did say there's plenty going on with HELLBOY 2, but that he's not privy to any of it. Perlman had great things to say about THE MUTANT CHRONICLES, in which he co-stars with Jane. It will be another year before we see it though.
http://www.cinemablend.com/new.php?id=4084
Thomas Jayne Talks Mutants
By Josh Tyler: 2006-12-11 00:00:00
Thomas Jayne Talks Mutants The guys over at FilmStalker have picked up an interview from UK IGN in which Thomas Jane talks about his new movie The Mutant Chronicles.
Early descriptions of the film didn’t sound very promising. The Mutant Chronicles is based on a lame sounding role playing game about a dystopic future in which the human race has dwindled and finds itself under attack by a bunch of creatures called "NecroMutants". At the time I believe pointed out that this is also the plot of most of the non-Pokemon anime imports currently running in place of real cartoons on Saturday mornings. But the way Thomas Jane talks about it, he makes it sound more unique.
The movie has already been shot and Jane says, “We shot that one over the summer in the Isle of Man and we had a lot of fun," he says. "It's a really interesting film, me and Ron Perlman, and I was very impressed by the quality of the production we did. It's going to be in post for another 15 months. It doesn't come out until the summer of 2008.” Alright that’s the when, but why should we see it? Steampunks.
Apparently it’s set in a future where Al Gore’s predictions have come true. “It's a steampunk kind of a world… What's happened is we've kind of gone full circle. This is several hundred years in the future, and we've exhausted our natural resources, so we're back to steam power. Of course, it's very sophisticated steam power, with ships and all sorts of guns and just about everything, but it's all steam power. But that gives it a sort of post-apocalyptic, Victorian, black smoke, coal kind of feel to everything, which is really unique and beautiful.” Ok, now that sounds really cool.
He continues, “There are no more countries, just four corporations and they're constantly at war. And being an employee of a corporation means that you're basically a soldier, and the whole world is torn apart. During this war, nothing is sacred anymore -- they don't care if it's a church or what, they'll bomb the f**k out of anything. And they end up bombing Stonehenge, revealing that underneath there is an ancient seal. That seal gets cracked, and that was protecting something that is unleashed, and then we have real big problems. The ancient Druids had originally sealed it up, so we call on this order of monks to try to re-seal this evil that has gotten back in the world. So it's a mission movie, it's got creatures -- mutants! It's fun.”
Mutants are fun Thomas, and maybe this will be too. Or maybe it will be Reign of Fire. As long as it isn’t Punisher.
www.digiprimes.com/2005/reviews/boyle.shtml
BOYLE PREMIERS NEW ZEISS ON THE MUTANT CHRONICLES
Cinematographer Geoff Boyle FBKS was almost finished shooting The Mutant Chronicles, a feature film version of the popular role-playing board game, when Band Pro Munich got the new ZEISS Telephoto DigiZoom 17mm-112mm. Boyle, an avid Zeiss fan, was eager to test it on location for the last 2 weeks of the shoot. Band Pro rushed the much anticipated lens to the Isle of Man.
"We got the zoom in time for some critical fight scenes, and with this lens, we could very quickly get a variety of image sizes, something that director Simon Hunter and I felt were vital to keeping up the pace of the fight scenes," explains Boyle.
"This movie is going to have over 1200 to 1500 visual effects shots (mainly green screen and 3D extensions)," adds John O'Quigley of MotionFX in London. "Simon Hunter thought that the Viper system being captured by the S.two DFR in an uncompressed format was the best way to go. And there was only one set of lenses considered, Zeiss."
"We had acres of green screen that was permanently lit," Boyle adds. "I think it was 300 feet by 44 feet at the largest, so any low level flare became or would have become a serious issue. With the Zeiss DigiPrimes we had absolutely no flare problems!"
"If we'd had the new DigiZoom at the start, I have a feeling that the whole film would have been shot on that and the 3.9mm DigiWide™. Both are lovely lenses," Boyle continues.
"Will I use the new DigiZoom in the future? You'll have to drag it out of my dead fingers to prevent me!" he laughs.
BOYLE PREMIERS NEW ZEISS ON THE MUTANT CHRONICLES
Cinematographer Geoff Boyle FBKS was almost finished shooting The Mutant Chronicles, a feature film version of the popular role-playing board game, when Band Pro Munich got the new ZEISS Telephoto DigiZoom 17mm-112mm. Boyle, an avid Zeiss fan, was eager to test it on location for the last 2 weeks of the shoot. Band Pro rushed the much anticipated lens to the Isle of Man.
"We got the zoom in time for some critical fight scenes, and with this lens, we could very quickly get a variety of image sizes, something that director Simon Hunter and I felt were vital to keeping up the pace of the fight scenes," explains Boyle.
"This movie is going to have over 1200 to 1500 visual effects shots (mainly green screen and 3D extensions)," adds John O'Quigley of MotionFX in London. "Simon Hunter thought that the Viper system being captured by the S.two DFR in an uncompressed format was the best way to go. And there was only one set of lenses considered, Zeiss."
"We had acres of green screen that was permanently lit," Boyle adds. "I think it was 300 feet by 44 feet at the largest, so any low level flare became or would have become a serious issue. With the Zeiss DigiPrimes we had absolutely no flare problems!"
"If we'd had the new DigiZoom at the start, I have a feeling that the whole film would have been shot on that and the 3.9mm DigiWide™. Both are lovely lenses," Boyle continues.
"Will I use the new DigiZoom in the future? You'll have to drag it out of my dead fingers to prevent me!" he laughs.